#MusicMonday: Speak Your Mind by @AnneMarie Album Review

Even before she had an album, her voice was playing on your radio. Anne Marie’s first entry into the Billboard Hot 100 was her collaboration with Clean Bandit, Rock-A-Bye.

That came out in 2016, and has since peaked at #9 on the Billboard Hot 100.

Speak Your Mind is the debut studio album by singer-songwriter Anne-Marie, released via Major Tom’s and Atlantic Records on April 27, 2018.

It has been certified gold in the UK since it’s release and debuted at #31 in the US on the Billboard 200 chart.

Song by Song Review

To listen to each track, click the title name to be linked to a Youtube video containing the song.

Cry: “Cry” is the opening song from Anne-Marie’s debut album Speak Your Mind. The song is a post-breakup song that shows Anne-Marie’s singing about her love interest crying and probably regretting leaving her for another relationship that didn’t end up working out. Throughout the song she fires at her ex, chiding that he should have realized she’s a ‘piece of luxury’, and that he can never find another person like her.

Ciao Adios:

a pop dancy track about finding your lover with someone new. It has Latin musicality and rhythm

Alarm: an EDM track about having intuition that once a cheat, always a cheater. The breakdown has a Jamaican sound.

Trigger:  “Trigger” describes a relationship between people with opposite temperaments. Anne-Marie implies she is a pacifist, at the mercy of her partner. The song is a plea for them to sort out their issues and make the relationship work.

The metaphor of a gun’s trigger is key in the song. Shooting a gun and ending a relationship are similar in their destructive capabilities, and both can be avoided via other, less violent means.

Then: the singer sings her heart out this mid-tempo ballad. She describes how she truly felt about an ex-lover, and how meaningful the relationship had been–then.

Perfect: “Perfect” talks about the beauty of imperfection and rejects the idea that perfection exists. It encourages people to be comfortable with their flaws and insecurities, and to just be themselves.

F.R.I.E.N.D.S: A pop anthem about being in the friendzone

Bad Girlfriend: The song speaks of Anne-Marie being a bad counterpart to his lover.  it’s clear to see that the man that inspired this song is still sticking around with Anne-Marie cause he is in love and all the flaws she had is nothing to him. And she is accepting the fact she is an idiot in relationship.

Heavy: A relationship that feels more like a burden than a blessing. It has a melodic musicality. It’s my favorite song on the regular version of the album.

2002: Co-written by Ed Sheeran,

In “2002,” Anne-Marie reminisces about falling in love and all the songs that soundtracked that romance.

During the song’s chorus, she references six songs released in the late 1990s and early 2000s, like Jay-Z’s “99 Problems,” Nelly’s “Ride wit Me,” NSYNC’s “Bye Bye Bye” and Britney Spears’ “…Baby One More Time.”

The “99 Problems” reference is actually a misnomer, however, as Jay-Z didn’t write that song until 2003.

Can I Get Your Number?: It’s a woman/girl empowerment dancehall song about taking risk and going beyond the norm as Anne-Marie is the one getting the guy’s phone number instead of him approaching her first. Thinking that she should do the first move chanting “…what if this shit is love?” rather regretting for the rest of her life.

Machine: 

A track relating how idiosyncrasies that make us human wouldn’t bother if we were machine.

Other notable tracks on the deluxe version of the album include Breathing Fire and RockABye.

 

.@ShawnMendes Releases Something Big with Debut Album #Handwritten

Released on April 14, 2015 by Island Records is the Debut Album by Shawn Mendes. Ask me two weeks ago who Shawn Mendes was and I wouldn’t have been able to fully tell you other than that he was a singer who became famous from Youtube. Despite his cliché Justin Bieber road to fame, he may be able to give Justin Bieber a run for his money. From the Life of the Party, I instantly fell in love with Shawn’s voice and songwriting style. His songwriting style can be compared to that of Ed Sheeran and his vocal talent could be likened to that of Gavin Degraw. Every song on this album is worth a listen, and Shawn Mendes is definitely meant for something big.

 

#MusicLove Love @alessiacara? Then, you’ll enjoy my review of #Knowitall

I usually write here but the fact is, I don’t get paid for the writing I do here other than the little commission I get from advertisers and donations from kind souls.

Therefore, I ventured out and wrote a review for Beat Media which you can read here.

How @Daya is setting the standard for the future of pop music with debut album #SSLP

Chances are, you’ve sang this loudly while sitting in traffic:

    Boys seem to like the girls
Who laugh at anything
The ones who get undressed
Before the second date.

daya-hot100-bb34-2015-billboard-650

I bet you would be shocked to realize that it wasn’t penned and performed by someone who is only 17.

Grace Martine Tandon who is known by her stage name Daya (Hindu for compassion and kindness) is a 17 year old rising pop star from Pittsburgh, Pennsylvania. At the age of 3, Daya began to learn the piano, eventually converting to jazz piano at the age of eleven. By this time, she had also learned to play the guitar, ukulele, saxophone, and flute. On April 22, 2015 her debut single “Hideaway” was released. It hit #23 on Billboard’s Hot 100. She signed with Artbeatz and her debut EP Daya (released on September 4 2015) debuted at #61 on Billboard’s Hot 200. Her debut album Sit Still, Look Pretty was released on October 7, 2016.

Song by Song Review

“Dare”: The first track off the album is full of dark horse vibes and a girl who even though young is wise beyond her years and knows who she is and who she wants to be and isn’t afraid to share that in this track. It’s a track that asks the listener to dare her to prove something to you, knowing full well she’s already going to exceed everything they are limiting her with. Contains electronica influences, a subtle use of vocal harmony, a mild rhythmic syncopation,and prominent percussion.

“Lengendary”: Originally from the Daya EP, it discusses living in the moment with someone. It features electronica influences, prominent percussion, and major key tonality.

“I.C.Y.M.I”: This track standing for “in case you missed it” is catchy and hashtag-worthy with it’s message of being totally over someone but they keep trying to hit you up. It features electronica influences, prominent percussion, and a subtle use of vocal harmony.

“Thirsty”: We’ve all met a member of the opposite sex who would not take NO for an answer and they were making you lose your cool (not to mention your appetite) with how “thirsty” they were coming off. Almost like the Daya version of Meghan Trainor’s “NO,” except this one contains electronica influences, mild rhythmic syncopation, and prominent percussion.

“Love of My Life”: With Carribean-style rhythms and influences, this track is catchy with a loud “HERE’s WHAT I’M ABOUT” message with lyrics like:

I could like you ’til the day that I die-ie-ie-ie (ie-ie-ie, ie-ie-ie)
But, I’m looking for the love of my li-i-i-ife

“Hideaway”: Daya, who walks out and is bold in her standards, in this bouncy track, Daya bemoans the lack of standards when it comes to her male dating pool, and wishes for a man who actually respects her.

“Cool”: The newest synthopop promotional single off the album, this track has the feeling of just sitting back and cruising while holding hands in a car with an unknown destination which is a perfect metaphor for a healthy relationship: exciting and thrilling but should be stable like a car ride down an empty street. Features r&b influences, romantic lyrics, and intricate melody phrasing.

“Sit Still, Look Pretty”: The title track off the album and the song that made me sit up and pay attention to Daya as an artist. It’s like the 2016 answer to a song that was popular in 1997, Aqua’s “Barbie Girl.” It’s a girlpower anthem taken to the next level with the track starting out with whistling on the backtrack. Girls shouldn’t have to be treated like objects or toys but instead of have their own lives and their own goals and ambitions and not be afraid to pursue them. It also makes me think of a post that Alicia Keys shared on Instagram and I had to repost it because it was totally on point.capture

“Talk”: I had this song on repeat from the first time I heard it because it is a lot like Pink’s “Just Like Fire.” It’s like a total purple in my hair anthem. It’s all about being who you are and not caring what people think and jumping out of the boxes that people try to place you in. Grace co-wrote it with her team, which makes me like it even more. Features of the musicality include electronica influences, extensive vamping, a vocal-centric asthetic, and a subtle use of a horn section.

“U12”: This song reminds me of the song version of the 80’s movie Sixteen Candles. It’s about having these feelings for someone who everyone seems to have an opinion about but you are letting them know that you don’t care what anyone says as long as they want to fall in love, you are ready to fall with them. Originally featured on the Daya EP.

“Words”: Rhythmically, this is my favorite song off the album because it has Latin influences and romantic lyrics. It’s about feeling close to someone but not wanting to say “love” yet because words only get in the way.

“Back To Me”: A synthopop ballad of always feeling second best to someone you continue to put first and how you have to come back to who you are, realize your worth, and walk away in confidence knowing someone better will come along but learning to love yourself in the meantime. This is another favorite off the album but was originally featured on the Daya EP.

“Got The Feeling”: Carribean rhythms and influences make up this track with layers of vocal harmonies during the breakdown.Lyrically, you see a song about liking someone but not loving them but still like being around them, almost like a fling.

“We Are”:

Ain’t no keepin’ us from doing what we love (we love)
‘Cause we love it too much

The final track off the standard version of the album comes with a strong final statement from Daya, someone who’s young in years but wise beyond them and not afraid to be all that she is and tell others that they are free to due the same. Thank you Daya for standing up for the youth everywhere (especially young women like yourself) who dare to set the standard instead of meet it. And thank you for staying classy in the process!

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