#MusicMonday: The Good Parts By Andy Grammar

Author’s Note: Andy Grammar just released a new album this year. Yesterday actually. Ironically, I was prepping for this review and was doing research and found out that his new album was coming out and couldn’t help but laugh at behind I am on music reviews but either way, I will be reviewing both albums. If you came here looking for a Naive review, you’ve happened on the wrong page. Thanks anyway for visiting. Always Espresso Yourself, Chelsea

The first time I saw Andy Grammar perform he came right into the audience and made his way to my section of the crowd and stood about twenty feet away from me. Instantly, I was in awe of Andy Grammar’s humility. Not only was a he this crazy talented musician but he was still just a humble guy from Chester, NY.

He was discovered by manager Ben Singer in 2009 while performing as a street busker in Santa Monica. Hi second album ‘Magazines and Novels’ was his most successful work to date with the Billboard Hot 100 single “Honey, I’m Good.”

The song debuted at #9 and certified triple platinum and the album debuted at #19 on the Billboard Hot 200.

On December 1, 2017 Grammar released his third studio album, The Good Parts, which also happens to be his most autobiographical work to date.

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Song by Song Review

Smoke Clears: An electro-pop track about a health scare Grammar faced where he fainted in the shower but with an overall theme of sticking with someone through the highs and lows of this life.

Freeze: Almost like Grammar’s ode to “Sunday Morning” by Maroon 5, a track about wanting to stay in the perfect moments with the one you love.

The Good Parts: The title track about someone who wants to hear your entire story. They want to see the ugly, the scars, the losses, and the pain.

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Spaceship: A song Grammar wrote for his born daughter Louie.

Fresh Eyes: A song about knowing someone for years and being surprised by learning something new about them or how they do something. It is inspired by a night he was at dinner with his wife and they were with two friends who never met her. In them meeting them, he saw her with fresh eyes and fell deeper in love with her.

85: A catchy pop song about losing your soul to chasing after money and material wealth then waking up at 85 and say, “Whoa, no, I think I missed it, I was chasing money.”

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Always: A ballad like slow jam Grammar wrote for his daughter when she was first born.

Workin’ On It: A motivating upbeat song highlighting how we are all trying to make our dreams come true but we have our vices and ugly parts.

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Grown Ass Man Child: A pop song with a ridiculous bass drop (created by producer Oak “Sorry Not Sorry” Demi Lovato) about being more mature but still not afraid to get wild.

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This Ain’t Love: A song about the shallowness of watered down love or casual hook-ups.

Civil War: A song addressed to God, perplexing the struggle of good and bad in all of us.

Grow: My favorite song on this album because of it’s upbeat musicality and inspirational lyrics about growth.

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Give Love [ft. Lunchmoney Lewis]: The lead single off this album with a jazz pop feel with soulful lyrics about spreading love wherever you go.

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Win a copy of Andy Grammar’s The Good Parts by commenting below your name and email address and something you admire about Andy, and one winner will be chosen as of August 9 2019 at 11:59 p.m.

 

 

#MusicMonday: Panic At The Disco’s Pray For The Wicked will take you to the church of rock and roll

Oddly enough, the first album I ever reviewed on this site was a Panic at The Disco album.

Panic at the Disco are back with their sixth studio album. Fronted and held on the shoulders of original band member Brendan Urie, Pray For The Wicked actually has a lot of personal notes from Urie regarding his time on broadway, his Mormon roots, and his now simpler life married to his wife Sarah.

Pray For The Wicked was released on June 22, 2018 with one of it’s singles making the Top Ten of the Billboard Hot 100. The album peaked at #12 as a whole.

Song by Song Review

**** a Silver Lining: A song about wanting to excel at everything and wanting to get the best out of every possible situation, with the musicality of a song you may hear in a 70’s roller rink. Centered around such common phrases such as, “every cloud has a silver lining” and “cherry on top,” the former means that every difficulty or setback that causes harm also contains the potential to be positive while the latter refers to something good that follows a series of other fortunate events.

Brendon flips these idioms on their head, endless cherries and a silver lining aren’t that enticing to him. One of my favorite lyrics from the entire album is below: pablo (36).png

Say Amen( Saturday Night): A fun electro-pop track with a sound effect that sounds like gnashing teeth that comes a song about those who parade around in religion and use God to judge everybody. Urie was raised Mormon but wanted to write a song without making a dig at anyone who worships and praise, and prays regularly.

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Hey, Look Ma! I Made It: A tongue in cheek celebratory song about finally tasting lasting success. It has a big band musicality that makes you want to dance. Urie tips his hat to his mother, and reflects on his journey to success, examining the thirst of record labels for new material and the quest to avoid people, who only want to be associated with him due to his fame.

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High Hopes: My favorite song on the album for it’s overall message of seeking your dreams without hesitancy and seeing those dreams come to fruition beyond your wildest imagination. I also love the big band mixed with electopop sound to this track. This song peaked at #5 on the Billboard Hot 100.

High Hopes Music Video

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Roaring 20’s: The musicality of this track mimics that of a speak easy in the 20s or 30s. Urie who was raised on musicals recently got a starring role in the Broadway musical Kinky Boots playing Charlie Price.

Dancing Is Not a Crime: This light-hearted song showcases the purities and youthfulness of young love, with simple things such as dancing with someone or being their boyfriend or girlfriend.

One of the Drunks: This track explores the consequences and downfalls of the party lifestyle. It discusses in a very blatant manner and it talks about how we as a society really celebrate an excess of drugs, alcohol, all this stuff, and how we don’t need to binge and go crazy on shit. Ultimately, the endless cycle of alcohol and parties is fruitless.

Overpass: Catchy big band musicality that reminisces a “Bonnie & Clyde” feel paints a track about a relationship that has been torn apart but is longed for. He proposes they meet  at “The Overpass” where they can truly be together and who they are. Musically, it contains samples of Chase by James Brown.

King of The Clouds: Styled in 6/8 time signature comes a dreamy track that explores the ideas of inter-dimensional travel & multiverses.

Old Fashioned: A nostalgic track about reminiscing being young and having time to kill, such as the teenage years and good times with booze and medication. He is envious about the wasted years with alcohol.

Dying in LA: A piano track with somber musicality describing the struggle of someone who came to LA to pursue their dreams, but ended up unsuccessful. It shows how many are captivated by the glamour & opportunities of the city when they first enter, only to be slowly broken down over time. It paints the picture of a person slowly losing hope and becoming who they promised they would never be in the city of (broken) dreams.

 

 

 

 

#CGForever: @therealgrimmie proves that #allisvanity with brand new album

One year ago today, Christina Grimmie was taken from this Earth far too soon. Yet, her beautiful family and team have been keeping Christina’s beautiful legacy alive by continuing to release new music that she had worked on prior to her passing. And none of it disappoints. christina-grimmie-title-meaning

Her newest album was released a major record label, which was one of Grimmie’s life-long dreams, as well as to win a Grammy.

With this review, I am only trying to honor Christina and in no way trying to critique her or her absolutely powerful gift with music and inspiring people. As mentioned in previous posts, I only spoke to her briefly when I worked the Wildfire Tour for Rachel Platten but she definitely had a big heart, a beautiful smile, and a light that would help you through the darkest times in your life.  I also urge everyone to read this to get a copy of All is Vanity as a tribute to the singer.

Her new album is titled All is Vanity and is based off her favorite Bible verse that she ended up getting tattooed on her arm:

“All Is Vanity” is a bible verse, from Ecclesiastes 12:8, which reads: “Vanity of vanities, saith the preacher; all is vanity.”

Before her untimely passing, Christina would say that this verse was there to remind her that her success and fame where nothing without Christ, and only in Him does life have meaning.

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Song By Song Review

“Sublime”: 

This song opens the album and it is said this was Christina’s favorite of all her new songs, and you can hear it in her voice throughout the track. There is an enthusiasm that gives her voice that extra dose of perfection. 18839135_1582459721796616_5983707235376120846_n

The breakdown is my favorite part of the entire track:

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“Steady Love”:    

I absolutely love the musicality of this track. It reminds me of an anime love story, as it has a little bit of a Japanese sound to it.

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Invisible: 

The third track was one of the first new songs released by Team Grimmie, and 100% of proceeds from the sale of it went to starting the Christina Grimmie Foundation. A posthumous release from Christina Grimmie, who rips our hearts in two with her incredible talent, bright presence, and musical ear. The song is a little eery as Grimmie talks about no longer being invisible, singing:

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Source: Beat.Media

Crowded Room

My favorite track on the album that caused me to tear up at the first listen because it showcases Grimmie’s R&B vocal stylings and it shows a deeper side to her songwriting by discussing someone who chooses a crowded room to hide from themselves, possibly hinting at what Grimmie felt was an epidemic in Hollywood.

Crowded Room perfectly blends Alessia Cara’s “Here” and Sia’s “Chandelier” in song content, vocal stylings, and musicality.

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Everybody Lies

Producer and Christina’s boyfriend, Stephen Rezza, perfectly placed a clip from this Youtube video at the end of this song and it made me ball my eyes out.  This song is a perfect placard for Christina’s motivating and inspirational legacy.

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Pressure I woke up with this stuck in my head and cannot stop listening to it because this song is a serious bop, jam, hit, and it has these feel good dancy vibes that remind me of the power and caliber of a Michael Jackson song. It is similar to “Scream” but has the musicality of “Bad.”

Christina, I’m with you.

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Maybe I With this track, Christina’s vocal powerhouse shines here.

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Echo A badass “I deserve better” anthem about someone who continues to lie to you and you realize you need to get up and move on. 

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I Only Miss You When I Breathe

This song makes me miss this young beautiful talent. A beautiful arrangement similar to her single Invisible, EDM meets Grimmie’s R&B vocal stylings and incomparable vocal range. It’s my favorite off her Side B EP.

Source: Beat.Media

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The Game

This song reminds me “For You” by Demi Lovato in vocals and musicality. It’s the perfect way to end the album.

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We miss you, Christina! I know you are absolutely beaming in heaven.

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